The definitive biography of the politically radical lesbian prosecuted for publishing the first edition of James Joyce's Ulysses, literary maverick and queer icon Margaret C. Anderson. Perfect for fans of The Editor and The Book-Makers. Already under fire for publishing the literary avant-garde into a world not ready for it, Margaret C. Anderson's cutting-edge magazine The Little Review was a bastion of progressive politics and boundary-pushing writing from then-unknowns such as T.S. Eliot, Ezr…
The definitive biography of the politically radical lesbian prosecuted for publishing the first edition of James Joyce's Ulysses, literary maverick and queer icon Margaret C. Anderson. Perfect for fans of The Editor and The Book-Makers. Already under fire for publishing the literary avant-garde into a world not ready for it, Margaret C. Anderson's cutting-edge magazine The Little Review was a bastion of progressive politics and boundary-pushing writing from then-unknowns such as T.S. Eliot, Ezra Pound, William Butler Yeats, Djuna Barnes, and more. And as its publisher, Anderson was a target. From Chicago to New York and Paris, this fearless agitator helmed a woman-led publication that pushed American culture forward and challenged the sensibilities of early twentieth century Americans dismayed by its salacious writing and advocacy for women's suffrage, birth control, and LBGTQ rights. But then it went too far. In 1921, Anderson found herself on trial and labeled "a danger to the minds of young girls" by the obscenity court seeking to shut her down. Guilty of having serialized James Joyce's masterpiece Ulysses in her magazine, Anderson was now not just a publisher but also a scapegoat for regressives seeking to impose their will on a world on the brink of modernization. Author, journalist, and literary critic Adam Morgan brings Anderson and her journal to life anew in A Danger to the Minds of Young Girls, capturing a moment of cultural acceleration and backlash all too familiar while shining light on an unsung heroine of American arts and letters. Bringing a fresh eye to a woman and movement misunderstood in their time, this biography highlights a women-led counterculture that audaciously pushed for more during a time of extreme social conservatism and changed the face of American literature and culture forever.
The definitive biography of the politically radical lesbian prosecuted for publishing the first edition of James Joyce's Ulysses, literary maverick and queer icon Margaret C. Anderson. Perfect for fans of The Editor and The Book-Makers. Already under fire for publishing the literary avant-garde into a world not ready for it, Margaret C. Anderson's cutting-edge magazine The Little Review was a bastion of progressive politics and boundary-pushing writing from then-unknowns such as T.S. Eliot, Ezra Pound, William Butler Yeats, Djuna Barnes, and more. And as its publisher, Anderson was a target. From Chicago to New York and Paris, this fearless agitator helmed a woman-led publication that pushed American culture forward and challenged the sensibilities of early twentieth century Americans dismayed by its salacious writing and advocacy for women's suffrage, birth control, and LBGTQ rights. But then it went too far. In 1921, Anderson found herself on trial and labeled "a danger to the minds of young girls" by the obscenity court seeking to shut her down. Guilty of having serialized James Joyce's masterpiece Ulysses in her magazine, Anderson was now not just a publisher but also a scapegoat for regressives seeking to impose their will on a world on the brink of modernization. Author, journalist, and literary critic Adam Morgan brings Anderson and her journal to life anew in A Danger to the Minds of Young Girls, capturing a moment of cultural acceleration and backlash all too familiar while shining light on an unsung heroine of American arts and letters. Bringing a fresh eye to a woman and movement misunderstood in their time, this biography highlights a women-led counterculture that audaciously pushed for more during a time of extreme social conservatism and changed the face of American literature and culture forever.
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