44,47 €
55,59 €
21st Century Retro: Mad Men and 1960s America in Film and Television
21st Century Retro: Mad Men and 1960s America in Film and Television
44,47 €
55,59 €
  • Išsiųsime per 10–14 d.d.
Numerous contemporary televisual productions revisit the past but direct their energies towards history's non-events and anti-heroic subjectivities. Debarchana Baruah offers a vocabulary to discuss these, using Mad Men as a primary case study and supplementing the analysis with other examples from the US and around the world. She takes a fundamentally interdisciplinary approach to studying film and television, drawing from history, memory, and nostalgia discourses, and layering them with theori…
44.47 2025-06-29 23:59:00
  • Autorius: Debarchana Baruah
  • Leidėjas:
  • Metai: 2021
  • Puslapiai: 244
  • ISBN-10: 3837657213
  • ISBN-13: 9783837657210
  • Formatas: 14.8 x 22.4 x 1.8 cm, minkšti viršeliai
  • Kalba: Anglų
  • Extra -20 % nuolaida šiai knygai su kodu ENG20

21st Century Retro: Mad Men and 1960s America in Film and Television + nemokamas atvežimas! | knygos.lt

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Numerous contemporary televisual productions revisit the past but direct their energies towards history's non-events and anti-heroic subjectivities. Debarchana Baruah offers a vocabulary to discuss these, using Mad Men as a primary case study and supplementing the analysis with other examples from the US and around the world. She takes a fundamentally interdisciplinary approach to studying film and television, drawing from history, memory, and nostalgia discourses, and layering them with theories of intertextuality, paratexts, and actor-networks. The book's compositions style invites discussions from scholars of various fields, as well as those who are simply fans of history or of Mad Men.

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Numerous contemporary televisual productions revisit the past but direct their energies towards history's non-events and anti-heroic subjectivities. Debarchana Baruah offers a vocabulary to discuss these, using Mad Men as a primary case study and supplementing the analysis with other examples from the US and around the world. She takes a fundamentally interdisciplinary approach to studying film and television, drawing from history, memory, and nostalgia discourses, and layering them with theories of intertextuality, paratexts, and actor-networks. The book's compositions style invites discussions from scholars of various fields, as well as those who are simply fans of history or of Mad Men.

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