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"Dream the Rest"
"Dream the Rest"
Knygos.lt klubas Knygos.lt nariams
49,98 €
-35%
Įprastai
76,89 €
  • Išsiųsime per 12–18 d.d.
Little is known about enigmatic Cuban American cigarmaker and artist Felipe Jesus Consalvos (1891-c. 1960), whose over 800 collages were discovered at a West Philadelphia garage sale in 1983. This manuscript examines Consalvos's collage practice by speculatively tracking its orbit within a constellation of enmeshed contexts: the radical sociopolitical world of Cuban American tabaqueros; the fraught history of U.S.-Cuban relations and associated processes of cultural appropriation and hybridizat…
  • Leidėjas:
  • ISBN-10: 1300178175
  • ISBN-13: 9781300178170
  • Formatas: 21.6 x 27.9 x 1.4 cm, minkšti viršeliai
  • Kalba: Anglų

"Dream the Rest" (el. knyga) (skaityta knyga) | Brendan Greaves | knygos.lt

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Little is known about enigmatic Cuban American cigarmaker and artist Felipe Jesus Consalvos (1891-c. 1960), whose over 800 collages were discovered at a West Philadelphia garage sale in 1983. This manuscript examines Consalvos's collage practice by speculatively tracking its orbit within a constellation of enmeshed contexts: the radical sociopolitical world of Cuban American tabaqueros; the fraught history of U.S.-Cuban relations and associated processes of cultural appropriation and hybridization; the rise of collage as a recursive development within both vernacular and elite or academic expressive culture; Consalvos's potential positioning within the aligned discourses of contemporaneous Euro-American modernist art and poetry (especially Dada, Surrealism, and Pop); the artist's self-declared role as "healer"; and the machinations of the contemporary North American art market.

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  • Autorius: Brendan Greaves
  • Leidėjas:
  • ISBN-10: 1300178175
  • ISBN-13: 9781300178170
  • Formatas: 21.6 x 27.9 x 1.4 cm, minkšti viršeliai
  • Kalba: Anglų

Little is known about enigmatic Cuban American cigarmaker and artist Felipe Jesus Consalvos (1891-c. 1960), whose over 800 collages were discovered at a West Philadelphia garage sale in 1983. This manuscript examines Consalvos's collage practice by speculatively tracking its orbit within a constellation of enmeshed contexts: the radical sociopolitical world of Cuban American tabaqueros; the fraught history of U.S.-Cuban relations and associated processes of cultural appropriation and hybridization; the rise of collage as a recursive development within both vernacular and elite or academic expressive culture; Consalvos's potential positioning within the aligned discourses of contemporaneous Euro-American modernist art and poetry (especially Dada, Surrealism, and Pop); the artist's self-declared role as "healer"; and the machinations of the contemporary North American art market.

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