119,79 €
Zbigniew Preisner's Three Colors Trilogy: Blue, White, Red
Zbigniew Preisner's Three Colors Trilogy: Blue, White, Red
  • Išparduota
Zbigniew Preisner's Three Colors Trilogy: Blue, White, Red
Zbigniew Preisner's Three Colors Trilogy: Blue, White, Red
El. knyga:
119,79 €
Director Krzysztof Kieslowski's Three Colors trilogy--Blue (1993), White (1993), and Red (1994)--is one of the great achievements of European film. A meditation on liberty, equality, and fraternity, these three films marked the culmination of the director's career, as well as the zenith of one of the most important creative collaborations in 20th-century cinema-between Kieslowski, scriptwriter Krzysztof Piesiewicz, and composer Zbigniew Preisner. Thanks to their close working relationship, musi…

Zbigniew Preisner's Three Colors Trilogy: Blue, White, Red (el. knyga) (skaityta knyga) | knygos.lt

Atsiliepimai

(4.67 Goodreads įvertinimas)

Formatai:

119,79 € El. knyga

Aprašymas

Director Krzysztof Kieslowski's Three Colors trilogy--Blue (1993), White (1993), and Red (1994)--is one of the great achievements of European film. A meditation on liberty, equality, and fraternity, these three films marked the culmination of the director's career, as well as the zenith of one of the most important creative collaborations in 20th-century cinema-between Kieslowski, scriptwriter Krzysztof Piesiewicz, and composer Zbigniew Preisner. Thanks to their close working relationship, music for the Three Colors trilogy achieves both a focal narrative and philosophical function. At times, Preisner's music advances the narrative independently of the films' other codes; at other times, it creates a metaphorical space into which the audience is invited in order to read for deeper messages.

As the first major scholarly treatment of Preisner's music, Nicholas Reyland's Zbigniew Preisner's Three Colors Trilogy: A Film Score Guide fills an important void in film score scholarship. In this guide, Reyland analyzes the historical context of the film scores, the life of the composer, the hermeneutic and narrative role of the music within the film, and the musical scoring techniques used for the trilogy.

This volume also draws on an interplay of established classic approaches to analyzing film music and more recent approaches in the exploration of its themes and readings. In addition, the composer's willingness to be interviewed by Reyland enhances the musicological scholarship of this book, giving the reader privileged access into the process of scoring. A significant contribution to both film studies and musicological literature, this book celebrates one of the great cinematic achievements of the last few decades.

119,79 €
Prisijunkite ir už šią prekę
gausite
1,20 Knygų Eurų! ?

Elektroninė knyga:
Atsiuntimas po užsakymo akimirksniu! Skirta skaitymui tik kompiuteryje, planšetėje ar kitame elektroniniame įrenginyje.

Kaip skaityti el. knygas ACSM formatu?

Mažiausia kaina per 30 dienų: 117,39 €

Mažiausia kaina užfiksuota: 2026-06-07 00:40:58


Director Krzysztof Kieslowski's Three Colors trilogy--Blue (1993), White (1993), and Red (1994)--is one of the great achievements of European film. A meditation on liberty, equality, and fraternity, these three films marked the culmination of the director's career, as well as the zenith of one of the most important creative collaborations in 20th-century cinema-between Kieslowski, scriptwriter Krzysztof Piesiewicz, and composer Zbigniew Preisner. Thanks to their close working relationship, music for the Three Colors trilogy achieves both a focal narrative and philosophical function. At times, Preisner's music advances the narrative independently of the films' other codes; at other times, it creates a metaphorical space into which the audience is invited in order to read for deeper messages.

As the first major scholarly treatment of Preisner's music, Nicholas Reyland's Zbigniew Preisner's Three Colors Trilogy: A Film Score Guide fills an important void in film score scholarship. In this guide, Reyland analyzes the historical context of the film scores, the life of the composer, the hermeneutic and narrative role of the music within the film, and the musical scoring techniques used for the trilogy.

This volume also draws on an interplay of established classic approaches to analyzing film music and more recent approaches in the exploration of its themes and readings. In addition, the composer's willingness to be interviewed by Reyland enhances the musicological scholarship of this book, giving the reader privileged access into the process of scoring. A significant contribution to both film studies and musicological literature, this book celebrates one of the great cinematic achievements of the last few decades.

Atsiliepimai

  • Atsiliepimų nėra
0 pirkėjai įvertino šią prekę.
5
0%
4
0%
3
0%
2
0%
1
0%
(rodomas nebus)