83,29 €
Weill's Musical Theater
Weill's Musical Theater
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Weill's Musical Theater
Weill's Musical Theater
El. knyga:
83,29 €
In the first musicological study of Kurt Weill's complete stage works, Stephen Hinton charts the full range of theatrical achievements by one of twentieth-century musical theater's key figures. Hinton shows how Weill's experiments with a range of genres--from one-act operas and plays with music to Broadway musicals and film-opera--became an indispensable part of the reforms he promoted during his brief but intense career. Confronting the divisive notion of "two Weills"--one European, the other…
  • Leidėjas:
  • Metai: 2012
  • Puslapiai: 592
  • ISBN: 9780520951839
  • ISBN-10: 0520951832
  • ISBN-13: 9780520951839
  • Formatas: ePub
  • Kalba: Anglų

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In the first musicological study of Kurt Weill's complete stage works, Stephen Hinton charts the full range of theatrical achievements by one of twentieth-century musical theater's key figures. Hinton shows how Weill's experiments with a range of genres--from one-act operas and plays with music to Broadway musicals and film-opera--became an indispensable part of the reforms he promoted during his brief but intense career. Confronting the divisive notion of "two Weills"--one European, the other American--Hinton adopts a broad and inclusive perspective, establishing criteria that allow aspects of continuity to emerge, particularly in matters of dramaturgy. Tracing his extraordinary journey as a composer, the book shows how Weill's artistic ambitions led to his working with a remarkably heterogeneous collection of authors, such as Georg Kaiser, Bertolt Brecht, Moss Hart, Alan Jay Lerner, and Maxwell Anderson.

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  • Autorius: Stephen Hinton
  • Leidėjas:
  • Metai: 2012
  • Puslapiai: 592
  • ISBN: 9780520951839
  • ISBN-10: 0520951832
  • ISBN-13: 9780520951839
  • Formatas: ePub
  • Kalba: Anglų

In the first musicological study of Kurt Weill's complete stage works, Stephen Hinton charts the full range of theatrical achievements by one of twentieth-century musical theater's key figures. Hinton shows how Weill's experiments with a range of genres--from one-act operas and plays with music to Broadway musicals and film-opera--became an indispensable part of the reforms he promoted during his brief but intense career. Confronting the divisive notion of "two Weills"--one European, the other American--Hinton adopts a broad and inclusive perspective, establishing criteria that allow aspects of continuity to emerge, particularly in matters of dramaturgy. Tracing his extraordinary journey as a composer, the book shows how Weill's artistic ambitions led to his working with a remarkably heterogeneous collection of authors, such as Georg Kaiser, Bertolt Brecht, Moss Hart, Alan Jay Lerner, and Maxwell Anderson.

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