89,69 €
Victorian Poets and the Changing Bible
Victorian Poets and the Changing Bible
  • Išparduota
Victorian Poets and the Changing Bible
Victorian Poets and the Changing Bible
El. knyga:
89,69 €
"Victorian Poets and the ChangingBible" charts the impact of post-Enlightenment biblical criticismon English literary culture. The eighteenth and nineteenth centuries saw awidespread reevaluation of biblical inspiration, in which the Bible's poetic naturecame to be seen as an integral part -- if not "the"integral part -- of its religious significance. Understandably, then, many poets whofollowed this interpretative revolution -- including Alfred, Lord Tennyson, RobertBrowning, and Elizabeth Bar…

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"Victorian Poets and the ChangingBible" charts the impact of post-Enlightenment biblical criticismon English literary culture. The eighteenth and nineteenth centuries saw awidespread reevaluation of biblical inspiration, in which the Bible's poetic naturecame to be seen as an integral part -- if not "the"integral part -- of its religious significance. Understandably, then, many poets whofollowed this interpretative revolution -- including Alfred, Lord Tennyson, RobertBrowning, and Elizabeth Barrett Browning -- came to reconceive their highestvocational ambitions: if the Bible is essentially poetry, then modern poetry mightperform a cultural role akin to that of scripture. This context equally illuminatesthe aims and achievements of famous Victorian unbelievers such as Arthur Hugh Cloughand George Eliot, who also responded enthusiastically to the poetic ideal of aninspired text.

This book's revisionary and provocative thesis speaksnot only to the evolution of English poetics but also to the logic ofnineteenth-century literary hierarchies and to the ongoing relevance of religion inmodern culture.

"Victorian Literature and CultureSeries"

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"Victorian Poets and the ChangingBible" charts the impact of post-Enlightenment biblical criticismon English literary culture. The eighteenth and nineteenth centuries saw awidespread reevaluation of biblical inspiration, in which the Bible's poetic naturecame to be seen as an integral part -- if not "the"integral part -- of its religious significance. Understandably, then, many poets whofollowed this interpretative revolution -- including Alfred, Lord Tennyson, RobertBrowning, and Elizabeth Barrett Browning -- came to reconceive their highestvocational ambitions: if the Bible is essentially poetry, then modern poetry mightperform a cultural role akin to that of scripture. This context equally illuminatesthe aims and achievements of famous Victorian unbelievers such as Arthur Hugh Cloughand George Eliot, who also responded enthusiastically to the poetic ideal of aninspired text.

This book's revisionary and provocative thesis speaksnot only to the evolution of English poetics but also to the logic ofnineteenth-century literary hierarchies and to the ongoing relevance of religion inmodern culture.

"Victorian Literature and CultureSeries"

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