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Aprašymas
This study of analysis, performance and reception of Mozart's piano sonatas is written from the perspective of a musicologist who is also a perfomer, and for whom analysis is always contextualized by reception issues rather than itself being the context.
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This study of analysis, performance and reception of Mozart's piano sonatas is written from the perspective of a musicologist who is also a perfomer, and for whom analysis is always contextualized by reception issues rather than itself being the context.
Atsiliepimai