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Mitch stammered, stunned. It had just hit him. He had not happened upon just any old wino. The man standing down in the bin was Dorset's most famous and reclusive resident, Wendell Frye, the man who had single-handedly redefined modern American sculpture...His towering, breathtaking scrap-metal sculptures graced plazas and parks throughout the world, his name echoing alongside that of Alexander Calder, Isamu Noguchi ad Ellsworth Kelly...If the art critic from Mitch's paper somehow got a chance to meet him, she would, well, plotz.. And here Mitch was standing in a dumpster talking to him about Abbott and Costello.
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