22,19 €
The different facets of dancing in "Dance Like a Man" by Mahesh Dattani
The different facets of dancing in "Dance Like a Man" by Mahesh Dattani
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The different facets of dancing in "Dance Like a Man" by Mahesh Dattani
The different facets of dancing in "Dance Like a Man" by Mahesh Dattani
El. knyga:
22,19 €
Essay from the year 2018 in the subject Didactics - English - Literature, Works, University of Burdwan, language: English, abstract: Dattani's drama "Dance Like a Man", first staged in 1989, dramatizes "dance" with its many implicit implications - dance as profession, dance as pain, dance as suffering, dance as shelter, dance as ego-formation, dance as rhythm of life, dance as passion, dance as mission, dance as vision and finally, dance as strong maker of gender identity; in addition, it is a…
  • Leidėjas:
  • Metai: 2018
  • Puslapiai: 14
  • ISBN: 9783668648562
  • ISBN-10: 3668648565
  • ISBN-13: 9783668648562
  • Formatas: PDF
  • Kalba: Anglų

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Essay from the year 2018 in the subject Didactics - English - Literature, Works, University of Burdwan, language: English, abstract: Dattani's drama "Dance Like a Man", first staged in 1989, dramatizes "dance" with its many implicit implications - dance as profession, dance as pain, dance as suffering, dance as shelter, dance as ego-formation, dance as rhythm of life, dance as passion, dance as mission, dance as vision and finally, dance as strong maker of gender identity; in addition, it is a reflector of the cultural location of India, more precisely, culturally rich Indianness. The play can be read as a configuration of the characteristic grip of human identity that strongly interfaces the elements of identical autonomy and autonomous identity.

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  • Autorius: Ankur Konar
  • Leidėjas:
  • Metai: 2018
  • Puslapiai: 14
  • ISBN: 9783668648562
  • ISBN-10: 3668648565
  • ISBN-13: 9783668648562
  • Formatas: PDF
  • Kalba: Anglų

Essay from the year 2018 in the subject Didactics - English - Literature, Works, University of Burdwan, language: English, abstract: Dattani's drama "Dance Like a Man", first staged in 1989, dramatizes "dance" with its many implicit implications - dance as profession, dance as pain, dance as suffering, dance as shelter, dance as ego-formation, dance as rhythm of life, dance as passion, dance as mission, dance as vision and finally, dance as strong maker of gender identity; in addition, it is a reflector of the cultural location of India, more precisely, culturally rich Indianness. The play can be read as a configuration of the characteristic grip of human identity that strongly interfaces the elements of identical autonomy and autonomous identity.

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