25,49 €
The Book of Emotions
The Book of Emotions
  • Išparduota
The Book of Emotions
The Book of Emotions
El. knyga:
25,49 €
Isolating these moments in his memory and attempting to analyze them much like a lens, he envisions "a haiku stripped of rhetoric that captures only what is in front of the camera." Yet, deprived of his sight, the photographer now must reconstruct his experiences as a series of affective snapshots, a diary of his emotions as they were frozen on this or that day. The result, then, is not the description of a remembered image, but of the emotional memory the image evokes. João Almino here gives u…
  • Leidėjas:
  • Metai: 2012
  • Puslapiai: 200
  • ISBN: 9781564788948
  • ISBN-10: 1564788946
  • ISBN-13: 9781564788948
  • Formatas: ACSM ?
  • Kalba: Anglų

The Book of Emotions (el. knyga) (skaityta knyga) | João Almino | knygos.lt

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Isolating these moments in his memory and attempting to analyze them much like a lens, he envisions "a haiku stripped of rhetoric that captures only what is in front of the camera." Yet, deprived of his sight, the photographer now must reconstruct his experiences as a series of affective snapshots, a diary of his emotions as they were frozen on this or that day. The result, then, is not the description of a remembered image, but of the emotional memory the image evokes. João Almino here gives us a trenchant portrait of an artist trying to close the gap between objective vision and sentimental memory, leafing through a catalog of his accomplishments and failures in a violent, artificial, universal city, and trying to reassemble the puzzle that was his life.

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  • Autorius: João Almino
  • Leidėjas:
  • Metai: 2012
  • Puslapiai: 200
  • ISBN: 9781564788948
  • ISBN-10: 1564788946
  • ISBN-13: 9781564788948
  • Formatas: ACSM ?
  • Kalba: Anglų

Isolating these moments in his memory and attempting to analyze them much like a lens, he envisions "a haiku stripped of rhetoric that captures only what is in front of the camera." Yet, deprived of his sight, the photographer now must reconstruct his experiences as a series of affective snapshots, a diary of his emotions as they were frozen on this or that day. The result, then, is not the description of a remembered image, but of the emotional memory the image evokes. João Almino here gives us a trenchant portrait of an artist trying to close the gap between objective vision and sentimental memory, leafing through a catalog of his accomplishments and failures in a violent, artificial, universal city, and trying to reassemble the puzzle that was his life.

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