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Tracingathe rise of extreme art cinema across films from Lars von Trier's The Idiots to Michael Haneke's Cach(r), Asbj(c)rn Gr(c)nstad revivesathe debate about the role of negation and aesthetics, andareframes the concept of spectatorship in ethical
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Tracingathe rise of extreme art cinema across films from Lars von Trier's The Idiots to Michael Haneke's Cach(r), Asbj(c)rn Gr(c)nstad revivesathe debate about the role of negation and aesthetics, andareframes the concept of spectatorship in ethical
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