20,59 €
Salo
Salo
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Salo
Salo
El. knyga:
20,59 €
Salò or The Hundred and Twenty Days of Sodom (Salò o Le centoventi giornate di Sodoma, 1975) is one of the most controversial and scandalous films ever made. It was Pier Paolo Pasolini's last film; he was murdered shortly after completing it. An adaptation of Sade's vicious masterpiece, but relocated to Fascist-ruled Italy, Salò is an unflinching, violent portrayal of sexual cruelty which many find too disturbing to watch. But insightful artworks are often disturbing. Beneath the extreme, taboo…
  • Leidėjas:
  • Metai: 2019
  • Puslapiai: 96
  • ISBN: 9781838717933
  • ISBN-10: 1838717935
  • ISBN-13: 9781838717933
  • Formatas: ACSM ?
  • Kalba: Anglų

Salo (el. knyga) (skaityta knyga) | Gary Indiana | knygos.lt

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Salò or The Hundred and Twenty Days of Sodom (Salò o Le centoventi giornate di Sodoma, 1975) is one of the most controversial and scandalous films ever made. It was Pier Paolo Pasolini's last film; he was murdered shortly after completing it. An adaptation of Sade's vicious masterpiece, but relocated to Fascist-ruled Italy, Salò is an unflinching, violent portrayal of sexual cruelty which many find too disturbing to watch.
But insightful artworks are often disturbing. Beneath the extreme, taboo-breaking surface of Salò, Gary Indiana argues, is a deeply penetrating account of human behavior that resonates not only as an account of fascism but as a picture of the corporate, morally compromised world we live in today.
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  • Autorius: Gary Indiana
  • Leidėjas:
  • Metai: 2019
  • Puslapiai: 96
  • ISBN: 9781838717933
  • ISBN-10: 1838717935
  • ISBN-13: 9781838717933
  • Formatas: ACSM ?
  • Kalba: Anglų

Salò or The Hundred and Twenty Days of Sodom (Salò o Le centoventi giornate di Sodoma, 1975) is one of the most controversial and scandalous films ever made. It was Pier Paolo Pasolini's last film; he was murdered shortly after completing it. An adaptation of Sade's vicious masterpiece, but relocated to Fascist-ruled Italy, Salò is an unflinching, violent portrayal of sexual cruelty which many find too disturbing to watch.
But insightful artworks are often disturbing. Beneath the extreme, taboo-breaking surface of Salò, Gary Indiana argues, is a deeply penetrating account of human behavior that resonates not only as an account of fascism but as a picture of the corporate, morally compromised world we live in today.

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