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- Autorius: Marina Ritzarev
- Leidėjas: Taylor & Francis
- Metai: 2016
- Puslapiai: 184
- ISBN: 9781317046660
- ISBN-10: 1317046668
- ISBN-13: 9781317046660
- Formatas: ACSM ?
- Kalba: Anglų
Ritzarev, M: Tchaikovsky's Pathétique and Russian Culture (el. knyga) (skaityta knyga) | knygos.lt
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Tchaikovsky's Sixth Symphony (1893), widely recognized as one of the world's most deeply tragic compositions, is also known for the mystery surrounding its hidden programme and for Tchaikovsky's unexpected death nine days after its premiere. While the sensational speculations about the composer's possible planned suicide and the suggestion that the symphony was intended as his own requiem have long been discarded, the question of its programme remains. Tchaikovskys mention of the extreme subjectivity lying behind the works artistic concept has usually led scholars to seek clues to the programme in his inner emotional world, and some have mooted his homosexuality as the source of personal tragedy that may be at the works roots. In this close analytical and historical study, Marina Ritzarev argues that viewing a work of such outstanding aesthetic achievement solely as a personal lament is both unsatisfactory and inconsistent with Tchaikovsky's artistic ethics. She looks for the programme instead in the realm of European eighteenth- and nineteenth-century cultural values. Focusing her extensive knowledge of Russian culture on Tchaikovskys personal reading and social circle, she offers a startling new interpretation of this great work.
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- Autorius: Marina Ritzarev
- Leidėjas: Taylor & Francis
- Metai: 2016
- Puslapiai: 184
- ISBN: 9781317046660
- ISBN-10: 1317046668
- ISBN-13: 9781317046660
- Formatas: ACSM ?
- Kalba: Anglų
Tchaikovsky's Sixth Symphony (1893), widely recognized as one of the world's most deeply tragic compositions, is also known for the mystery surrounding its hidden programme and for Tchaikovsky's unexpected death nine days after its premiere. While the sensational speculations about the composer's possible planned suicide and the suggestion that the symphony was intended as his own requiem have long been discarded, the question of its programme remains. Tchaikovskys mention of the extreme subjectivity lying behind the works artistic concept has usually led scholars to seek clues to the programme in his inner emotional world, and some have mooted his homosexuality as the source of personal tragedy that may be at the works roots. In this close analytical and historical study, Marina Ritzarev argues that viewing a work of such outstanding aesthetic achievement solely as a personal lament is both unsatisfactory and inconsistent with Tchaikovsky's artistic ethics. She looks for the programme instead in the realm of European eighteenth- and nineteenth-century cultural values. Focusing her extensive knowledge of Russian culture on Tchaikovskys personal reading and social circle, she offers a startling new interpretation of this great work.
Atsiliepimai