30,89 €
Representing African Americans in Transatlantic Abolitionism and Blackface Minstrelsy
Representing African Americans in Transatlantic Abolitionism and Blackface Minstrelsy
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Representing African Americans in Transatlantic Abolitionism and Blackface Minstrelsy
Representing African Americans in Transatlantic Abolitionism and Blackface Minstrelsy
El. knyga:
30,89 €
In this intriguing study, Robert Nowatzki reveals the unexpected relationships between blackface entertainment and antislavery sentiment in the United States and Britain. He contends that the ideological ambiguity of both phenomena enabled the similarities between early minstrelsy and abolitionism in their depictions of African Americans, as well as their appropriations of each other's rhetoric, imagery, sentiment, and characterization. Nowatzki reveals how the most popular form of theatrical e…
  • Leidėjas:
  • Metai: 2010
  • Puslapiai: 232
  • ISBN: 9780807146972
  • ISBN-10: 0807146978
  • ISBN-13: 9780807146972
  • Formatas: ePub
  • Kalba: Anglų

Representing African Americans in Transatlantic Abolitionism and Blackface Minstrelsy (el. knyga) (skaityta knyga) | knygos.lt

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In this intriguing study, Robert Nowatzki reveals the unexpected relationships between blackface entertainment and antislavery sentiment in the United States and Britain. He contends that the ideological ambiguity of both phenomena enabled the similarities between early minstrelsy and abolitionism in their depictions of African Americans, as well as their appropriations of each other's rhetoric, imagery, sentiment, and characterization. Nowatzki reveals how the most popular form of theatrical entertainment and the most significant reform movement of nineteenth-century Britain and America helped define cultural representations of African Americans.

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  • Autorius: Robert Nowatzki
  • Leidėjas:
  • Metai: 2010
  • Puslapiai: 232
  • ISBN: 9780807146972
  • ISBN-10: 0807146978
  • ISBN-13: 9780807146972
  • Formatas: ePub
  • Kalba: Anglų

In this intriguing study, Robert Nowatzki reveals the unexpected relationships between blackface entertainment and antislavery sentiment in the United States and Britain. He contends that the ideological ambiguity of both phenomena enabled the similarities between early minstrelsy and abolitionism in their depictions of African Americans, as well as their appropriations of each other's rhetoric, imagery, sentiment, and characterization. Nowatzki reveals how the most popular form of theatrical entertainment and the most significant reform movement of nineteenth-century Britain and America helped define cultural representations of African Americans.

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