58,69 €
Re-Viewing the Past
Re-Viewing the Past
  • Išparduota
Re-Viewing the Past
Re-Viewing the Past
El. knyga:
58,69 €
Re-Viewing the Past: The Uses of History in the Cinema of Imperial Japan analyzes the complicated relationship between history films, audiences, reviewers and censors in Japan for the critically important years from 1925-1945. First contextualizing the history of the popular "Bakumatsu" period (1853-1868), the moment of Japan's emergence as a modern nation, Sean O'Reilly paves the way for a reinterpretation of Japanese pre and postwar cinema. Setting a film in the Bakumatsu period offered 'cult…
0

Re-Viewing the Past (el. knyga) (skaityta knyga) | Sean D. O'Reilly | knygos.lt

Atsiliepimai

(3.00 Goodreads įvertinimas)
Įvertink ir tu! Visi atsiliepimai

Aprašymas

Re-Viewing the Past: The Uses of History in the Cinema of Imperial Japan analyzes the complicated relationship between history films, audiences, reviewers and censors in Japan for the critically important years from 1925-1945. First contextualizing the history of the popular "Bakumatsu" period (1853-1868), the moment of Japan's emergence as a modern nation, Sean O'Reilly paves the way for a reinterpretation of Japanese pre and postwar cinema. Setting a film in the Bakumatsu period offered 'cultural breathing room' to both filmmakers and viewers, offering a cinematic space where apolitical entertainment and now-forbidden themes like romance still reigned. Some filmmakers-and viewers-even conceived of these films as being a form of resistance against Japan's growing militarism.

As comparisons between the popularity of such films versus that of state-sponsored propaganda films show, audiences responded enthusiastically to these glimmers of resistance. O'Reilly argues that we should turn our attention to the much more popular films of the time that were major hits with audiences in order to understand what resonated with wartime spectators, and to speculate about why this might have been the case. Including clips of these rare films, a so-far neglected area of Japanese film history is now firmly situated in context to offer a thought-provoking, multidisciplinary approach.
58,69 €
Prisijunkite ir už šią prekę
gausite 0,59 Knygų Eurų! ?

Elektroninė knyga:
Atsiuntimas po užsakymo akimirksniu! Skirta skaitymui tik kompiuteryje, planšetėje ar kitame elektroniniame įrenginyje.

Kaip skaityti el. knygas ACSM formatu?

Mažiausia kaina per 30 dienų: 58,69 €

Mažiausia kaina užfiksuota: 2025-08-18 08:37:40


Re-Viewing the Past: The Uses of History in the Cinema of Imperial Japan analyzes the complicated relationship between history films, audiences, reviewers and censors in Japan for the critically important years from 1925-1945. First contextualizing the history of the popular "Bakumatsu" period (1853-1868), the moment of Japan's emergence as a modern nation, Sean O'Reilly paves the way for a reinterpretation of Japanese pre and postwar cinema. Setting a film in the Bakumatsu period offered 'cultural breathing room' to both filmmakers and viewers, offering a cinematic space where apolitical entertainment and now-forbidden themes like romance still reigned. Some filmmakers-and viewers-even conceived of these films as being a form of resistance against Japan's growing militarism.

As comparisons between the popularity of such films versus that of state-sponsored propaganda films show, audiences responded enthusiastically to these glimmers of resistance. O'Reilly argues that we should turn our attention to the much more popular films of the time that were major hits with audiences in order to understand what resonated with wartime spectators, and to speculate about why this might have been the case. Including clips of these rare films, a so-far neglected area of Japanese film history is now firmly situated in context to offer a thought-provoking, multidisciplinary approach.

Atsiliepimai

  • Atsiliepimų nėra
0 pirkėjai įvertino šią prekę.
5
0%
4
0%
3
0%
2
0%
1
0%
(rodomas nebus)
[{"option":"93","probability":1,"style":{"backgroundColor":"#da1e2d"},"image":{"uri":"\/uploads\/images\/wheel_of_fortune\/68c116ea05a901757484778.png","sizeMultiplier":0.6,"landscape":true,"offsetX":-50}},{"option":"92","probability":20,"style":{"backgroundColor":"#f2f2f2"},"image":{"uri":"\/uploads\/images\/wheel_of_fortune\/68c02c908e7b91757424784.png","sizeMultiplier":0.6,"landscape":true,"offsetX":-50}},{"option":"91","probability":14,"style":{"backgroundColor":"#da1e2d"},"image":{"uri":"\/uploads\/images\/wheel_of_fortune\/68c02c796a6721757424761.png","sizeMultiplier":0.6,"landscape":true,"offsetX":-50}},{"option":"90","probability":16,"style":{"backgroundColor":"#f2f2f2"},"image":{"uri":"\/uploads\/images\/wheel_of_fortune\/68c02c643d12e1757424740.png","sizeMultiplier":0.6,"landscape":true,"offsetX":-50}},{"option":"89","probability":15,"style":{"backgroundColor":"#dd1e2e"},"image":{"uri":"\/uploads\/images\/wheel_of_fortune\/68c02c4cbd2651757424716.png","sizeMultiplier":0.6,"landscape":true,"offsetX":-50}},{"option":"88","probability":15,"style":{"backgroundColor":"#f2f2f2"},"image":{"uri":"\/uploads\/images\/wheel_of_fortune\/68c02bd3ad9ff1757424595.png","sizeMultiplier":0.6,"landscape":true,"offsetX":-50}},{"option":"87","probability":17,"style":{"backgroundColor":"#de1e2e"},"image":{"uri":"\/uploads\/images\/wheel_of_fortune\/68c02b8a530ca1757424522.png","sizeMultiplier":0.6,"landscape":true,"offsetX":-50}},{"option":"86","probability":2,"style":{"backgroundColor":"#f3f3f3"},"image":{"uri":"\/uploads\/images\/wheel_of_fortune\/68c02b71066401757424497.png","sizeMultiplier":0.6,"landscape":true,"offsetX":-50}}]