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A formidable debut of nine surreally funny, politically astute and emotionally gripping stories.
In the surreal world of Buffy Cram’s stories, someone or something has slipped beneath the skins of her already beleaguered characters, rearranging the familiar into something strange and even sinister, making off with their emotional and even physical goods. A smug suburbanite becomes obsessed with the “hybrids,” the wandering mob of intellectual vagrants overrunning his complacent little cul de sac, snacking on pâté and reciting poetry; a father and daughter’s post-apocalyptic Pacific island civilization, built of floating garbage and sustained entirely by rubber, is beginning to fray, literally, revealing something disastrously like moss beneath its smooth synthetic skin; following an appendectomy, a young woman’s belly starts transmitting what sound like Russian radio signals; a young publishing assistant, demoted at work and dumped by her boyfriend, finds herself unable to control her strange new appetites.
Inhabited, occupied, possessed—suddenly, the world as they knew it is no longer quite recognizable, not to mention safe—if it actually was safe before. But it’s the surprising, often revelatory ways in which Cram’s characters navigate through these strange new landscapes that imbue these stories with complexity, grace and lustre.
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A formidable debut of nine surreally funny, politically astute and emotionally gripping stories.
In the surreal world of Buffy Cram’s stories, someone or something has slipped beneath the skins of her already beleaguered characters, rearranging the familiar into something strange and even sinister, making off with their emotional and even physical goods. A smug suburbanite becomes obsessed with the “hybrids,” the wandering mob of intellectual vagrants overrunning his complacent little cul de sac, snacking on pâté and reciting poetry; a father and daughter’s post-apocalyptic Pacific island civilization, built of floating garbage and sustained entirely by rubber, is beginning to fray, literally, revealing something disastrously like moss beneath its smooth synthetic skin; following an appendectomy, a young woman’s belly starts transmitting what sound like Russian radio signals; a young publishing assistant, demoted at work and dumped by her boyfriend, finds herself unable to control her strange new appetites.
Inhabited, occupied, possessed—suddenly, the world as they knew it is no longer quite recognizable, not to mention safe—if it actually was safe before. But it’s the surprising, often revelatory ways in which Cram’s characters navigate through these strange new landscapes that imbue these stories with complexity, grace and lustre.
Atsiliepimai