63,49 €
Popular Music in the Post-Digital Age
Popular Music in the Post-Digital Age
  • Išparduota
Popular Music in the Post-Digital Age
Popular Music in the Post-Digital Age
El. knyga: 63,49 €
Popular Music in the Post-Digital Age explores how changes in the economy and technology affect popular music for both the economy and culture at large. Citing Jacques Attali's theory that “music runs parallel to human society, is structured like it, and changes when it does,” this book presents a study of wider economic, political, and cultural changes under the impact of neoliberalism. This allows us to understand not only the future developments in the music industry but also the value in tr…
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  • Leidėjas:
  • Metai: 2018
  • Puslapiai: 304
  • ISBN-10: 1501338382
  • ISBN-13: 9781501338380
  • Formatas: ACSM ?
  • Kalba: Anglų

Popular Music in the Post-Digital Age | knygos.lt

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Popular Music in the Post-Digital Age explores how changes in the economy and technology affect popular music for both the economy and culture at large. Citing Jacques Attali's theory that “music runs parallel to human society, is structured like it, and changes when it does,” this book presents a study of wider economic, political, and cultural changes under the impact of neoliberalism. This allows us to understand not only the future developments in the music industry but also the value in treating the state of popular music as a litmus test to assess what will happen in the economy and in society. This collection of 13 case studies covers issues such as patronage, music education and curatorship, and consumption, and aims to develop an understanding of the future of popular music within a global context.
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Popular Music in the Post-Digital Age explores how changes in the economy and technology affect popular music for both the economy and culture at large. Citing Jacques Attali's theory that “music runs parallel to human society, is structured like it, and changes when it does,” this book presents a study of wider economic, political, and cultural changes under the impact of neoliberalism. This allows us to understand not only the future developments in the music industry but also the value in treating the state of popular music as a litmus test to assess what will happen in the economy and in society. This collection of 13 case studies covers issues such as patronage, music education and curatorship, and consumption, and aims to develop an understanding of the future of popular music within a global context.

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