38,09 €
Photography, Narrative, Time
Photography, Narrative, Time
  • Išparduota
Photography, Narrative, Time
Photography, Narrative, Time
El. knyga:
38,09 €
Providing a wide-ranging account of the narrative properties of photographs, Greg Battye focuses on the storytelling power of a single image, rather than the sequence. Drawing on ideas from painting, drawing, film, video, and multimedia, he applies contemporary research and theories drawn from cognitive science and psychology to the analysis of photographs. Using genuine forensic photographs of crime scenes and accidents, the book mines human drama and historical and sociological authenticity t…
  • Leidėjas:
  • Metai: 2014
  • Puslapiai: 200
  • ISBN: 9781783202393
  • ISBN-10: 1783202394
  • ISBN-13: 9781783202393
  • Formatas: ePub
  • Kalba: Anglų

Photography, Narrative, Time (el. knyga) (skaityta knyga) | knygos.lt

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Providing a wide-ranging account of the narrative properties of photographs, Greg Battye focuses on the storytelling power of a single image, rather than the sequence. Drawing on ideas from painting, drawing, film, video, and multimedia, he applies contemporary research and theories drawn from cognitive science and psychology to the analysis of photographs. Using genuine forensic photographs of crime scenes and accidents, the book mines human drama and historical and sociological authenticity to argue for the centrality of the perception and representation of time in photographic narrativity.

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  • Leidėjas:
  • Metai: 2014
  • Puslapiai: 200
  • ISBN: 9781783202393
  • ISBN-10: 1783202394
  • ISBN-13: 9781783202393
  • Formatas: ePub
  • Kalba: Anglų

Providing a wide-ranging account of the narrative properties of photographs, Greg Battye focuses on the storytelling power of a single image, rather than the sequence. Drawing on ideas from painting, drawing, film, video, and multimedia, he applies contemporary research and theories drawn from cognitive science and psychology to the analysis of photographs. Using genuine forensic photographs of crime scenes and accidents, the book mines human drama and historical and sociological authenticity to argue for the centrality of the perception and representation of time in photographic narrativity.

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