49,19 €
On Stage
On Stage
  • Išparduota
On Stage
On Stage
El. knyga:
49,19 €
In On Stage, Mathilde Roman explores the resonances that fields of theatre - stage, décor, space, gaze and more - have in the practice of video arts. Using these notions of theatre both as points of reference and as a prism through which video installation can be approached, Roman is able to concentrate on a number of questions often overlooked by art historians, theorists and critics, but offering different points of view. These include questions of exhibition architecture, display, viewer exp…
  • Leidėjas:
  • Metai: 2016
  • Puslapiai: 120
  • ISBN: 9781783205820
  • ISBN-10: 1783205822
  • ISBN-13: 9781783205820
  • Formatas: ePub
  • Kalba: Anglų

On Stage (el. knyga) (skaityta knyga) | Mathilde Roman | knygos.lt

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In On Stage, Mathilde Roman explores the resonances that fields of theatre - stage, décor, space, gaze and more - have in the practice of video arts. Using these notions of theatre both as points of reference and as a prism through which video installation can be approached, Roman is able to concentrate on a number of questions often overlooked by art historians, theorists and critics, but offering different points of view. These include questions of exhibition architecture, display, viewer experience, temporality and the importance of the gaze. Each chapter is articulated around analyses of video installations created by artists of different generations, from Michael Snow to Maïder Fortuné, and Dan Graham to Laurent Grasso. With a preface by Mieke Bal, On Stage is an important contribution to the fields of art, history and film studies.
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  • Autorius: Mathilde Roman
  • Leidėjas:
  • Metai: 2016
  • Puslapiai: 120
  • ISBN: 9781783205820
  • ISBN-10: 1783205822
  • ISBN-13: 9781783205820
  • Formatas: ePub
  • Kalba: Anglų

In On Stage, Mathilde Roman explores the resonances that fields of theatre - stage, décor, space, gaze and more - have in the practice of video arts. Using these notions of theatre both as points of reference and as a prism through which video installation can be approached, Roman is able to concentrate on a number of questions often overlooked by art historians, theorists and critics, but offering different points of view. These include questions of exhibition architecture, display, viewer experience, temporality and the importance of the gaze. Each chapter is articulated around analyses of video installations created by artists of different generations, from Michael Snow to Maïder Fortuné, and Dan Graham to Laurent Grasso. With a preface by Mieke Bal, On Stage is an important contribution to the fields of art, history and film studies.

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