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This book challenges the monolithic portrayals of folk music and social change under communism by making a case for people's music and shows how new folk music embodies an inherently pluralistic concept of Yugoslavia's culture.
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This book challenges the monolithic portrayals of folk music and social change under communism by making a case for people's music and shows how new folk music embodies an inherently pluralistic concept of Yugoslavia's culture.
Atsiliepimai