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Clive James's renown as an internally celebrated poet continues to expand, and there is no stronger evidence for this than Nefertiti in the Flak Tower, a collection "steeped in the lessons of Philip Larkin and W.B. Yeats" (London Times). Here, his polymathic learning and technical virtuosity are worn more lightly than ever; the effect is to produce a deep sense of trust into which the reader gratefully sinks. The most obvious token of that mastery is the book's breathtaking range of themes: there are moving elegies, a meditation on the later Yeats, a Hollywood Iliad, and odes to rare orchids, wartime typewriters, and sharks--as well as a poem on the fate of Queen Nefertiti in Nazi Germany. But despite dizzying variety, James's poetic intention becomes increasingly clear: what marks this new collection is his intensified concentration on the individual poem as a self-contained universe.
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Clive James's renown as an internally celebrated poet continues to expand, and there is no stronger evidence for this than Nefertiti in the Flak Tower, a collection "steeped in the lessons of Philip Larkin and W.B. Yeats" (London Times). Here, his polymathic learning and technical virtuosity are worn more lightly than ever; the effect is to produce a deep sense of trust into which the reader gratefully sinks. The most obvious token of that mastery is the book's breathtaking range of themes: there are moving elegies, a meditation on the later Yeats, a Hollywood Iliad, and odes to rare orchids, wartime typewriters, and sharks--as well as a poem on the fate of Queen Nefertiti in Nazi Germany. But despite dizzying variety, James's poetic intention becomes increasingly clear: what marks this new collection is his intensified concentration on the individual poem as a self-contained universe.
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