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Continuing her success in Capital Crimes, the bestselling author of First Ladies takes readers behind the exhibits at one of D.C.'s most popular attractions. When a senior curator at the National Gallery discovers a lost Caravaggio, he concocts a masterly scheme to exhibit and exploit the masterpiece, which escalates into murder as an art form.
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Continuing her success in Capital Crimes, the bestselling author of First Ladies takes readers behind the exhibits at one of D.C.'s most popular attractions. When a senior curator at the National Gallery discovers a lost Caravaggio, he concocts a masterly scheme to exhibit and exploit the masterpiece, which escalates into murder as an art form.
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