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Though the writing of US religious history has become increasingly open to new voices, Hjamil A. Martínez-Vázquez argues that those voices have yet to challenge effectively the dominant Eurocentric historical perspective. In this first Latina/o American religious historiography, Martínez-Vázquez critiques the traditional narrative not for what it says, but for what it does not say. Made in the Margins considers the ways in which traditional historiography has favored a specific understanding of US religious history and offers a new method of constructing Latina/o histories as "subaltern." And, in so doing, Made in the Margins ably begins the necessary conversation about truly doing history from within previously marginalized communities and disciplines.
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Though the writing of US religious history has become increasingly open to new voices, Hjamil A. Martínez-Vázquez argues that those voices have yet to challenge effectively the dominant Eurocentric historical perspective. In this first Latina/o American religious historiography, Martínez-Vázquez critiques the traditional narrative not for what it says, but for what it does not say. Made in the Margins considers the ways in which traditional historiography has favored a specific understanding of US religious history and offers a new method of constructing Latina/o histories as "subaltern." And, in so doing, Made in the Margins ably begins the necessary conversation about truly doing history from within previously marginalized communities and disciplines.
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