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The title of this volume, ke-ra-me-ja in Linear B, was chosen because it means "e;potter"e; (IsIuIIIIuI'a, from Greek II-IaII I "e;potter's clay"e;) and combines two major strands of Cynthia Shelmerdine's scholarship: Mycenaean ceramics and Linear B texts. It thereby signals her pioneering use of archaeological and textual data in a sophisticated and integrated way. The intellectual content of the essays demonstrate not only that her research has had wide-ranging influence, but also that it is a model of scholarship to be emulated.
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The title of this volume, ke-ra-me-ja in Linear B, was chosen because it means "e;potter"e; (IsIuIIIIuI'a, from Greek II-IaII I "e;potter's clay"e;) and combines two major strands of Cynthia Shelmerdine's scholarship: Mycenaean ceramics and Linear B texts. It thereby signals her pioneering use of archaeological and textual data in a sophisticated and integrated way. The intellectual content of the essays demonstrate not only that her research has had wide-ranging influence, but also that it is a model of scholarship to be emulated.
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