14,49 €
Kaspar and Other Plays
Kaspar and Other Plays
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Kaspar and Other Plays
Kaspar and Other Plays
El. knyga: 14,49 €
Kaspar, Peter Handke's first full-length drama--hailed in Europe as "the play of the decade" and compared in importance to Waiting for Godot--is the story of an autistic adolescent who finds himself at a complete existential loss on the stage, with but a single sentence to call his own. Drilled by prompters who use terrifyingly funny logical and alogical language-sequences, Kaspar learns to speak "normally" and eventually becomes creative--"doing his own thing" with words; for this he is destro…
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  • Autorius: Peter Handke
  • Leidėjas:
  • Metai: 1970
  • Puslapiai: 152
  • ISBN-10: 1466810246
  • ISBN-13: 9781466810242
  • Formatas: ACSM ?
  • Kalba: Anglų

Kaspar and Other Plays | Peter Handke | knygos.lt

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Kaspar, Peter Handke's first full-length drama--hailed in Europe as "the play of the decade" and compared in importance to Waiting for Godot--is the story of an autistic adolescent who finds himself at a complete existential loss on the stage, with but a single sentence to call his own. Drilled by prompters who use terrifyingly funny logical and alogical language-sequences, Kaspar learns to speak "normally" and eventually becomes creative--"doing his own thing" with words; for this he is destroyed.

In Offending the Audience and Self-Accusation, one-character "speak-ins," Handke further explores the relationship between public performance and personal identity, forcing us to reconsider our sense of who we are and what we know.
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Kaspar, Peter Handke's first full-length drama--hailed in Europe as "the play of the decade" and compared in importance to Waiting for Godot--is the story of an autistic adolescent who finds himself at a complete existential loss on the stage, with but a single sentence to call his own. Drilled by prompters who use terrifyingly funny logical and alogical language-sequences, Kaspar learns to speak "normally" and eventually becomes creative--"doing his own thing" with words; for this he is destroyed.

In Offending the Audience and Self-Accusation, one-character "speak-ins," Handke further explores the relationship between public performance and personal identity, forcing us to reconsider our sense of who we are and what we know.

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