40,49 €
How NOT to Write a Sitcom
How NOT to Write a Sitcom
  • Išparduota
How NOT to Write a Sitcom
How NOT to Write a Sitcom
El. knyga:
40,49 €
Script mechanic and sitcom-writing instructor Marc Blake strips down the sitcom into its component parts and provides a one-of-a-kind how-to guide for aspiring writers and media professionals for one of the most difficult and demanding genres on TV. The book first identifies the known pitfalls in concept, characterization, plotting, and dramatic/comedic writing that cause the thousands of scripts submitted every year to producers to be sent to the rejection pile. Then each component point…
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  • Autorius: Marc Blake
  • Leidėjas:
  • Metai: 2011
  • Puslapiai: 272
  • ISBN: 9781408130896
  • ISBN-10: 1408130890
  • ISBN-13: 9781408130896
  • Formatas: ACSM ?
  • Kalba: Anglų

How NOT to Write a Sitcom | Marc Blake | knygos.lt

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Script mechanic and sitcom-writing instructor Marc Blake strips down the sitcom into its component parts and provides a one-of-a-kind how-to guide for aspiring writers and media professionals for one of the most difficult and demanding genres on TV.

The book first identifies the known pitfalls in concept, characterization, plotting, and dramatic/comedic writing that cause the thousands of scripts submitted every year to producers to be sent to the rejection pile. Then each component point is illustrated with an example of both the error and with practical suggestions and exercises for the writer to apply the proper technique to their scripts. Also featured are insightful interviews with successful TV producers and other practitioners of the craft.


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Script mechanic and sitcom-writing instructor Marc Blake strips down the sitcom into its component parts and provides a one-of-a-kind how-to guide for aspiring writers and media professionals for one of the most difficult and demanding genres on TV.

The book first identifies the known pitfalls in concept, characterization, plotting, and dramatic/comedic writing that cause the thousands of scripts submitted every year to producers to be sent to the rejection pile. Then each component point is illustrated with an example of both the error and with practical suggestions and exercises for the writer to apply the proper technique to their scripts. Also featured are insightful interviews with successful TV producers and other practitioners of the craft.


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