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Reflecting 26 years as a deputy sheriff in northeastern Iowa, Donald Harstad's first book, a topnotch thriller about an Iowa deputy sheriff named Carl Houseman, is full of convincing details of everyday police work and is told in such a droll, natural voice that you'll swear you've met both author and hero. "When I got home, Sue was a little angry," Houseman says about his wife. "I'd neglected to leave her a note about the meeting. Consequently, supper had turned out to be a problem. She'd taken care of it by making a taco-type soup, so it was still warm when I got there. She'd eaten." In other hands, the story (a series of ritual murders, a Satanic cult, the possible involvement of a local clergyman) might seem over the top. But Harstad's dead-on, no-nonsense manner makes it all very convincing--and extremely readable. --Dick Adler
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Reflecting 26 years as a deputy sheriff in northeastern Iowa, Donald Harstad's first book, a topnotch thriller about an Iowa deputy sheriff named Carl Houseman, is full of convincing details of everyday police work and is told in such a droll, natural voice that you'll swear you've met both author and hero. "When I got home, Sue was a little angry," Houseman says about his wife. "I'd neglected to leave her a note about the meeting. Consequently, supper had turned out to be a problem. She'd taken care of it by making a taco-type soup, so it was still warm when I got there. She'd eaten." In other hands, the story (a series of ritual murders, a Satanic cult, the possible involvement of a local clergyman) might seem over the top. But Harstad's dead-on, no-nonsense manner makes it all very convincing--and extremely readable. --Dick Adler
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