6,29 €
Edouard Manet
Edouard Manet
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Edouard Manet
Edouard Manet
El. knyga:
6,29 €
Many art historians consider Edouard Manet to be the father of modern art. Although often cited alongside the Impressionists, he was not a member of their group and never exhibited in their Salon des R(r)fus(r)es. Instead, he pioneered a path between realism and impressionism, choosing contemporary subjects and composing them in a truly modern fashion. A number of ManetOCOs paintings provoked outrage and scandal, but his most controversial work was Le D(r)jeuner sur lOCOHerbe (Luncheon on the G…

Edouard Manet (el. knyga) (skaityta knyga) | Sandra Forty | knygos.lt

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Many art historians consider Edouard Manet to be the father of modern art. Although often cited alongside the Impressionists, he was not a member of their group and never exhibited in their Salon des R(r)fus(r)es. Instead, he pioneered a path between realism and impressionism, choosing contemporary subjects and composing them in a truly modern fashion. A number of ManetOCOs paintings provoked outrage and scandal, but his most controversial work was Le D(r)jeuner sur lOCOHerbe (Luncheon on the Grass ), which showed a naked woman enjoying a picnic beside two fully and conventionally, if rather exotically, dressed men. Today it is hard to appreciate the shock it caused, but at the time the painting became a real cause c(r)l bre. Manet became one of the first artists to make the common man (and woman) the theme of his work. His preferred subjects were compositions of people enjoying their leisure time in the parks, caf(r)s, and amusement centers around Paris. Many of ManetOCOs works are almost photographic in their composition and use of light. As a result, these works had a distinctly modern look for their era, unnerving critics and alarming contemporary audiences while inspiring the admiration of young, upcoming artists."

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Many art historians consider Edouard Manet to be the father of modern art. Although often cited alongside the Impressionists, he was not a member of their group and never exhibited in their Salon des R(r)fus(r)es. Instead, he pioneered a path between realism and impressionism, choosing contemporary subjects and composing them in a truly modern fashion. A number of ManetOCOs paintings provoked outrage and scandal, but his most controversial work was Le D(r)jeuner sur lOCOHerbe (Luncheon on the Grass ), which showed a naked woman enjoying a picnic beside two fully and conventionally, if rather exotically, dressed men. Today it is hard to appreciate the shock it caused, but at the time the painting became a real cause c(r)l bre. Manet became one of the first artists to make the common man (and woman) the theme of his work. His preferred subjects were compositions of people enjoying their leisure time in the parks, caf(r)s, and amusement centers around Paris. Many of ManetOCOs works are almost photographic in their composition and use of light. As a result, these works had a distinctly modern look for their era, unnerving critics and alarming contemporary audiences while inspiring the admiration of young, upcoming artists."

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