108,69 €
Early Musical Borrowing
Early Musical Borrowing
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Early Musical Borrowing
Early Musical Borrowing
El. knyga:
108,69 €
A timely addition to Routledge's "Criticism and Analysis of Early Music" series, this collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music, addressing how and why borrowing was used, the significance of borrowing, the techniques of borrowing, and its recognizable features. The book provides a broad overview of this common practice and sheds light on previously unexplored aspects of early musical borrowing. It function…
  • Leidėjas:
  • Metai: 2004
  • Puslapiai: 248
  • ISBN: 9781135577933
  • ISBN-10: 1135577935
  • ISBN-13: 9781135577933
  • Formatas: ACSM ?
  • Kalba: Anglų

Early Musical Borrowing (el. knyga) (skaityta knyga) | knygos.lt

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A timely addition to Routledge's "Criticism and Analysis of Early Music" series, this collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music, addressing how and why borrowing was used, the significance of borrowing, the techniques of borrowing, and its recognizable features. The book provides a broad overview of this common practice and sheds light on previously unexplored aspects of early musical borrowing. It functions as both an introduction to the subject as well as a guide for further research. The contributors, all highly regarded in their field, offer new insights that will change the way we view borrowing.

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  • Leidėjas:
  • Metai: 2004
  • Puslapiai: 248
  • ISBN: 9781135577933
  • ISBN-10: 1135577935
  • ISBN-13: 9781135577933
  • Formatas: ACSM ?
  • Kalba: Anglų

A timely addition to Routledge's "Criticism and Analysis of Early Music" series, this collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music, addressing how and why borrowing was used, the significance of borrowing, the techniques of borrowing, and its recognizable features. The book provides a broad overview of this common practice and sheds light on previously unexplored aspects of early musical borrowing. It functions as both an introduction to the subject as well as a guide for further research. The contributors, all highly regarded in their field, offer new insights that will change the way we view borrowing.

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