54,79 €
Dialectics without Synthesis
Dialectics without Synthesis
  • Išparduota
Dialectics without Synthesis
Dialectics without Synthesis
El. knyga:
54,79 €
Dialectics without Synthesis explores Japan's active but previously unrecognized participation in the global circulation of film theory during the first half of the twentieth century. Examining a variety of Japanese theorists working in the fields of film, literature, avant-garde art, Marxism, and philosophy, Naoki Yamamoto offers a new approach to cinematic realism as culturally conditioned articulations of the shifting relationship of film to the experience of modernity. In this study, long-h…
  • Leidėjas:
  • Metai: 2020
  • Puslapiai: 248
  • ISBN: 9780520975903
  • ISBN-10: 0520975901
  • ISBN-13: 9780520975903
  • Formatas: ePub
  • Kalba: Anglų

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Dialectics without Synthesis explores Japan's active but previously unrecognized participation in the global circulation of film theory during the first half of the twentieth century. Examining a variety of Japanese theorists working in the fields of film, literature, avant-garde art, Marxism, and philosophy, Naoki Yamamoto offers a new approach to cinematic realism as culturally conditioned articulations of the shifting relationship of film to the experience of modernity. In this study, long-held oppositions between realism and modernism, universalism and particularism, and most notably, the West and the non-West are challenged through a radical reconfiguration of the geopolitics of knowledge production and consumption.

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  • Autorius: Naoki Yamamoto
  • Leidėjas:
  • Metai: 2020
  • Puslapiai: 248
  • ISBN: 9780520975903
  • ISBN-10: 0520975901
  • ISBN-13: 9780520975903
  • Formatas: ePub
  • Kalba: Anglų

Dialectics without Synthesis explores Japan's active but previously unrecognized participation in the global circulation of film theory during the first half of the twentieth century. Examining a variety of Japanese theorists working in the fields of film, literature, avant-garde art, Marxism, and philosophy, Naoki Yamamoto offers a new approach to cinematic realism as culturally conditioned articulations of the shifting relationship of film to the experience of modernity. In this study, long-held oppositions between realism and modernism, universalism and particularism, and most notably, the West and the non-West are challenged through a radical reconfiguration of the geopolitics of knowledge production and consumption.

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