45,09 €
Cultural Capital
Cultural Capital
  • Išparduota
Cultural Capital
Cultural Capital
El. knyga:
45,09 €
Britain began the twenty-first century convinced of its creativity. Throughout the New Labour era, the visual and performing arts, museums and galleries, were ceaselessly promoted as a stimulus to national economic revival, a post-industrial revolution where spending on culture would solve everything, from national decline to crime. Tony Blair heralded it a “golden age.” Yet despite huge investment, the audience for the arts remained a privileged minority. So what went wrong?In Cultural Capital…
  • Leidėjas:
  • Metai: 2014
  • Puslapiai: 261
  • ISBN: 9781781687512
  • ISBN-10: 178168751X
  • ISBN-13: 9781781687512
  • Formatas: ePub
  • Kalba: Anglų

Cultural Capital (el. knyga) (skaityta knyga) | Robert Hewison | knygos.lt

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Britain began the twenty-first century convinced of its creativity. Throughout the New Labour era, the visual and performing arts, museums and galleries, were ceaselessly promoted as a stimulus to national economic revival, a post-industrial revolution where spending on culture would solve everything, from national decline to crime. Tony Blair heralded it a “golden age.” Yet despite huge investment, the audience for the arts remained a privileged minority. So what went wrong?

In Cultural Capital, leading historian Robert Hewison gives an in-depth account of how creative Britain lost its way. From Cool Britannia and the Millennium Dome to the Olympics and beyond, he shows how culture became a commodity, and how target-obsessed managerialism stifled creativity. In response to the failures of New Labour and the austerity measures of the Coalition government, Hewison argues for a new relationship between politics and the arts.

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  • Autorius: Robert Hewison
  • Leidėjas:
  • Metai: 2014
  • Puslapiai: 261
  • ISBN: 9781781687512
  • ISBN-10: 178168751X
  • ISBN-13: 9781781687512
  • Formatas: ePub
  • Kalba: Anglų

Britain began the twenty-first century convinced of its creativity. Throughout the New Labour era, the visual and performing arts, museums and galleries, were ceaselessly promoted as a stimulus to national economic revival, a post-industrial revolution where spending on culture would solve everything, from national decline to crime. Tony Blair heralded it a “golden age.” Yet despite huge investment, the audience for the arts remained a privileged minority. So what went wrong?

In Cultural Capital, leading historian Robert Hewison gives an in-depth account of how creative Britain lost its way. From Cool Britannia and the Millennium Dome to the Olympics and beyond, he shows how culture became a commodity, and how target-obsessed managerialism stifled creativity. In response to the failures of New Labour and the austerity measures of the Coalition government, Hewison argues for a new relationship between politics and the arts.

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