- Išparduota
/https://libri-media.knygos-static.lt/4be7b520-4cd3-42de-a2a0-9dbcca51bb73/2)
- Autorius: Dan Adler
- Leidėjas: Taylor & Francis Ltd.
- Metai: 2018
- Puslapiai: 142
- ISBN: 9781351049177
- ISBN-10: 1351049178
- ISBN-13: 9781351049177
- Formatas: ACSM ?
- Kalba: Anglų
Contemporary Sculpture and the Critique of Display Cultures (el. knyga) (skaityta knyga) | knygos.lt
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In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials - often things left on the side of the road, according to the logic and progress of the capitalist machine - and combine them in ways that allow each element to retain a degree of empirical specificity. Adler develops a range of aesthetic models through which these practices can be understood to function critically. Each chapter focuses on a single exhibition: Isa Genzken's "Oil" (German Pavilion, Venice Biennale, 2007), Geoffrey Farmer's midcareer survey (Mus�e d'art contemporain, Montr�al, 2008), Rachel Harrison's "Consider the Lobster" (CCS Bard Hessel Museum of Art, 2009), and Liz Magor's "The Mouth and Other Storage Facilities" (Henry Art Gallery, Seattle, 2008).
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- Autorius: Dan Adler
- Leidėjas: Taylor & Francis Ltd.
- Metai: 2018
- Puslapiai: 142
- ISBN: 9781351049177
- ISBN-10: 1351049178
- ISBN-13: 9781351049177
- Formatas: ACSM ?
- Kalba: Anglų
In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials - often things left on the side of the road, according to the logic and progress of the capitalist machine - and combine them in ways that allow each element to retain a degree of empirical specificity. Adler develops a range of aesthetic models through which these practices can be understood to function critically. Each chapter focuses on a single exhibition: Isa Genzken's "Oil" (German Pavilion, Venice Biennale, 2007), Geoffrey Farmer's midcareer survey (Mus�e d'art contemporain, Montr�al, 2008), Rachel Harrison's "Consider the Lobster" (CCS Bard Hessel Museum of Art, 2009), and Liz Magor's "The Mouth and Other Storage Facilities" (Henry Art Gallery, Seattle, 2008).
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