- Išparduota
/https://libri-media.knygos-static.lt/5e02c202-4f1b-4551-9964-1de89bb0b1d0/2)
- Autorius: Paul Douglas Grant
- Leidėjas: Columbia University Press
- Metai: 2016
- ISBN: 9780231851015
- ISBN-10: 0231851014
- ISBN-13: 9780231851015
- Formatas: ACSM ?
- Kalba: Anglų
Atsiliepimai
Aprašymas
This history covers the filmmaking tradition often referred to as "cin?ma militant," which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants ("sans papiers"), entry-level factory workers ("ouvriers sp?cialis?s"), highly intellectual Marxist-Leninist collectives, and militant special interest groups. While this book spans the broad history of this uncharted tradition, it particularly focuses on these lesser-known figures and works and the films of Cin?lutte, Les groupes medvedkine, Atelier de recherche cin?matographique, Cin?thique, and the influential Marxist filmmaker Jean-Pierre Thorn. Each represent a certain tendency of this movement in French film history, offering an invaluable account of a tradition that also sought to share untold histories.
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- Autorius: Paul Douglas Grant
- Leidėjas: Columbia University Press
- Metai: 2016
- ISBN: 9780231851015
- ISBN-10: 0231851014
- ISBN-13: 9780231851015
- Formatas: ACSM ?
- Kalba: Anglų
This history covers the filmmaking tradition often referred to as "cin?ma militant," which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants ("sans papiers"), entry-level factory workers ("ouvriers sp?cialis?s"), highly intellectual Marxist-Leninist collectives, and militant special interest groups. While this book spans the broad history of this uncharted tradition, it particularly focuses on these lesser-known figures and works and the films of Cin?lutte, Les groupes medvedkine, Atelier de recherche cin?matographique, Cin?thique, and the influential Marxist filmmaker Jean-Pierre Thorn. Each represent a certain tendency of this movement in French film history, offering an invaluable account of a tradition that also sought to share untold histories.
Atsiliepimai