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In this study, Victor Anderson traces instances of -ontological blackness- in African American theological, religious and cultural thought, arguing that African American critical thought has been trapped in a racial rhetoric that it did not create and which cannot serve it well. Drawing together 18th- and 19th-century accomodationism and its assimilationist heirs with the movements of Black Power and Afrocentrism, Anderson shows that all exhibit a similar structure of racial identity. He suggests that it is time to move beyond the confines of -the cult of black heroic genius- to what Bell Hooks has termed -postmodern blackness-: a racial discourse that leaves room to negotiate African American identities along lines of class, gender, sexuality, and age as well as race.
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In this study, Victor Anderson traces instances of -ontological blackness- in African American theological, religious and cultural thought, arguing that African American critical thought has been trapped in a racial rhetoric that it did not create and which cannot serve it well. Drawing together 18th- and 19th-century accomodationism and its assimilationist heirs with the movements of Black Power and Afrocentrism, Anderson shows that all exhibit a similar structure of racial identity. He suggests that it is time to move beyond the confines of -the cult of black heroic genius- to what Bell Hooks has termed -postmodern blackness-: a racial discourse that leaves room to negotiate African American identities along lines of class, gender, sexuality, and age as well as race.
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