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In the two decades between its debut performance and the death of impresario Sergei Diaghilev in 1929, the Ballets Russes was an unrivalled sensation in Paris and around the world. But while scholarly attention has often centered on the links between Diaghilevs innovations in dance, music, and design mirrored and invigorated contemporary culture.
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In the two decades between its debut performance and the death of impresario Sergei Diaghilev in 1929, the Ballets Russes was an unrivalled sensation in Paris and around the world. But while scholarly attention has often centered on the links between Diaghilevs innovations in dance, music, and design mirrored and invigorated contemporary culture.
Atsiliepimai