69,49 €
Artists in the Audience
Artists in the Audience
  • Išparduota
Artists in the Audience
Artists in the Audience
El. knyga:
69,49 €
Gone with the Wind an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film criticism, Artists in the Audience shows that film critics, beginning in the 1940s, turned to the movies as raw material to be molded into a more radical modernism than that offered by any other cont…
  • Leidėjas:
  • Metai: 2018
  • ISBN: 9780691186276
  • ISBN-10: 0691186278
  • ISBN-13: 9780691186276
  • Formatas: PDF
  • Kalba: Anglų

Artists in the Audience (el. knyga) (skaityta knyga) | Greg Taylor | knygos.lt

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Gone with the Wind an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film criticism, Artists in the Audience shows that film critics, beginning in the 1940s, turned to the movies as raw material to be molded into a more radical modernism than that offered by any other contemporary artists or thinkers. In doing so, they offered readers a vanguard alternative that reshaped postwar American culture: nonaesthetic mass culture reconceived and refashioned into rich, personally relevant art by the attuned, creative spectator.
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  • Autorius: Greg Taylor
  • Leidėjas:
  • Metai: 2018
  • ISBN: 9780691186276
  • ISBN-10: 0691186278
  • ISBN-13: 9780691186276
  • Formatas: PDF
  • Kalba: Anglų

Gone with the Wind an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film criticism, Artists in the Audience shows that film critics, beginning in the 1940s, turned to the movies as raw material to be molded into a more radical modernism than that offered by any other contemporary artists or thinkers. In doing so, they offered readers a vanguard alternative that reshaped postwar American culture: nonaesthetic mass culture reconceived and refashioned into rich, personally relevant art by the attuned, creative spectator.

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