57,89 €
A 'Toxic Genre'
A 'Toxic Genre'
  • Išparduota
A 'Toxic Genre'
A 'Toxic Genre'
El. knyga:
57,89 €
Over the last five years, a cycle of films has emerged addressing the ongoing Iraq conflict. Some became well-known and one of them, The Hurt Locker, won a string of Oscars. But many others disappeared into obscurity. What is it about these films that led Variety to dub them a "toxic genre"? Martin Barker analyses the production and reception of these recent Iraq war films. Among the issues he examines are the borrowing of soldiers’ YouTube styles of self-representation to generate an "authen…
  • Leidėjas:
  • Metai: 2011
  • Puslapiai: 216
  • ISBN: 9781783714483
  • ISBN-10: 1783714484
  • ISBN-13: 9781783714483
  • Formatas: ACSM ?
  • Kalba: Anglų

A 'Toxic Genre' (el. knyga) (skaityta knyga) | Martin Barker | knygos.lt

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Over the last five years, a cycle of films has emerged addressing the ongoing Iraq conflict. Some became well-known and one of them, The Hurt Locker, won a string of Oscars. But many others disappeared into obscurity. What is it about these films that led Variety to dub them a "toxic genre"?
Martin Barker analyses the production and reception of these recent Iraq war films. Among the issues he examines are the borrowing of soldiers’ YouTube styles of self-representation to generate an "authentic" Iraq experience, and how they take refuge in "apolitical" post-traumatic stress disorder. Barker also looks afresh at some classic issues in film theory: the problems of accounting for film "failures"; the shaping role of production systems; the significance of genre-naming; and the impact of that "toxic" label. A 'Toxic Genre' is fascinating reading for film studies students and anyone with an interest in cinema's portrayal of modern warfare.

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  • Autorius: Martin Barker
  • Leidėjas:
  • Metai: 2011
  • Puslapiai: 216
  • ISBN: 9781783714483
  • ISBN-10: 1783714484
  • ISBN-13: 9781783714483
  • Formatas: ACSM ?
  • Kalba: Anglų


Over the last five years, a cycle of films has emerged addressing the ongoing Iraq conflict. Some became well-known and one of them, The Hurt Locker, won a string of Oscars. But many others disappeared into obscurity. What is it about these films that led Variety to dub them a "toxic genre"?
Martin Barker analyses the production and reception of these recent Iraq war films. Among the issues he examines are the borrowing of soldiers’ YouTube styles of self-representation to generate an "authentic" Iraq experience, and how they take refuge in "apolitical" post-traumatic stress disorder. Barker also looks afresh at some classic issues in film theory: the problems of accounting for film "failures"; the shaping role of production systems; the significance of genre-naming; and the impact of that "toxic" label. A 'Toxic Genre' is fascinating reading for film studies students and anyone with an interest in cinema's portrayal of modern warfare.

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