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You're sitting in a darkened theater, waiting for the movie to begin when American culture explodes all around in I-Max, Sensurround, Technicolor—this is the experience of reading Lance Olsen's brilliant 10:01, a novel in frames that unreels the random thoughts of a random movie audience: a screening of our own moment that Olsen lights with the white heat of a a projector beam.
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You're sitting in a darkened theater, waiting for the movie to begin when American culture explodes all around in I-Max, Sensurround, Technicolor—this is the experience of reading Lance Olsen's brilliant 10:01, a novel in frames that unreels the random thoughts of a random movie audience: a screening of our own moment that Olsen lights with the white heat of a a projector beam.
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