83,29 €
Modernizing Costume Design, 1820-1920
Modernizing Costume Design, 1820-1920
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Modernizing Costume Design, 1820-1920
Modernizing Costume Design, 1820-1920
El. knyga: 83,29 €
Annie Holt identifies the roots of contemporary Euro-American practices of costume design, in which costumes are an integrated part of the dramaturgy rather than a reflection of an individual performer's taste or status. She argues that in the period 1820-1920, as part of the larger project of modernism across the artistic and cultural field, the functions of "clothing" and "costume" diverged. Onstage apparel took on a more specific semiotic task, acting as a fresh channel for the flow of infor…
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Modernizing Costume Design, 1820-1920 | knygos.lt

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Annie Holt identifies the roots of contemporary Euro-American practices of costume design, in which costumes are an integrated part of the dramaturgy rather than a reflection of an individual performer's taste or status. She argues that in the period 1820-1920, as part of the larger project of modernism across the artistic and cultural field, the functions of "clothing" and "costume" diverged. Onstage apparel took on a more specific semiotic task, acting as a fresh channel for the flow of information between the performer, the literary text, and the spectator.

Modernizing Costume Design traces how five kinds of artists - directors, performers, writers, couturiers, and painters - made key contributions to this new model of costume design. Holt shows that by 1920, costume design shifted in status from craft to art.

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83,29 €El. knyga

Annie Holt identifies the roots of contemporary Euro-American practices of costume design, in which costumes are an integrated part of the dramaturgy rather than a reflection of an individual performer's taste or status. She argues that in the period 1820-1920, as part of the larger project of modernism across the artistic and cultural field, the functions of "clothing" and "costume" diverged. Onstage apparel took on a more specific semiotic task, acting as a fresh channel for the flow of information between the performer, the literary text, and the spectator.

Modernizing Costume Design traces how five kinds of artists - directors, performers, writers, couturiers, and painters - made key contributions to this new model of costume design. Holt shows that by 1920, costume design shifted in status from craft to art.

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