Nakt\u012f vis\u0173 kraujas juodas<\/a>\u201c, i\u0161 pranc\u016bz\u0173 kalbos i\u0161versta Akvil\u0117s Melk\u016bnait\u0117s ir i\u0161leista leidyklos \u201eBaltos lankos\u201c, ne tik laim\u0117jo \u0161i\u0105 premij\u0105, bet ir buvo nominuota daugybei kit\u0173 presti\u017eini\u0173 premij\u0173, \u012fskaitant Gouncourt\u02bc\u0173.
Nedidel\u0117s apimties knygoje pasakojama apie senegaliet\u012f Alf\u0105 Ndiaje\u0307, kariaujant\u012f su pranc\u016bz\u0173 armija Pirmajame pasauliniame kare. Su\u0161vilpus jis kas ryt\u0105 paklusniai kopia i\u0161 \u017eem\u0117s \u017eaizdomis pramint\u0173 apkas\u0173 \u2013 ir puola. Jo geriausias draugas Mademba Djopas kariauja kartu, bet vien\u0105 dien\u0105 m\u0117lynakis prie\u0161as perr\u0117\u017eia jam pilv\u0105. Mademba Djopas maldauja u\u017e brol\u012f artimesn\u012f draug\u0105 u\u017ebaigti jo gyvenim\u0105, ta\u010diau Alfa Ndiaj\u0117 nedr\u012fsta. Neu\u017ebaigia baisi\u0173 draugo kan\u010di\u0173.\u00a0
Susid\u016br\u0119s su savo paties silpnumu, baime ir \u017eiaurumu, Alfa Ndiaj\u0117 pama\u017eu praranda ry\u0161\u012f su realybe. Jis leid\u017eiasi \u012f kasnaktinius \u017eygius po prie\u0161\u0173 stovykl\u0105, siekdamas atker\u0161yti u\u017e draugo \u017e\u016bt\u012f, i\u0161pirkti nuod\u0117m\u0119.
Hipnotizuojantis ir stebinantis, persmelktas \u017eodinio pasakojimo tradicijos ir \u0161iek tiek magijos \u201eNakt\u012f vis\u0173 kraujas juodas\u201c \u2013 sakm\u0117 apie gedulo ir beprasmio karo su\u017eeist\u0105 \u017emog\u0173, i\u0161 l\u0117to nyrant\u012f \u012f beprotyb\u0119.<\/p>\n\n\n\nViskas prasid\u0117jo nuo lai\u0161k\u0173<\/h3>\n\n\n\n
Kaip pasakoja pats autorius, \u0161i knyga \u2013 tai b\u016bdas priminti ir apm\u0105styti karo patirtis t\u0173, kurie, nors, oficialios istorijos po\u017ei\u016briu, jame ir dalyvavo, nenusipeln\u0117, kad j\u0173 istorijos b\u016bt\u0173 papasakotos. \u0160iuo atveju tai daugiau kaip 100\u00a0000 kari\u0173 i\u0161 Senegalo, Malio, Nigerio, Burkina Faso, kovojusi\u0173 Pranc\u016bzijos pus\u0117je, ta\u010diau karo m\u0117smal\u0117je taip ir netur\u0117jusi\u0173 savo balso.
\u201ePamenu, kaip prie\u0161 24 metus man \u012f rankas pateko pranc\u016bz\u0173 kari\u0173 lai\u0161kai i\u0161 Pirmojo pasaulinio karo fronto. Tie lai\u0161kai mane be galo sujaudino \u2013 ypa\u010d kai supratau, kad kai kurie adresat\u0105 pasiekdavo tik autoriui jau mirus. Jau tada \u017einojau, kad tarp t\u0173 kari\u0173 buvo ir afrikie\u010di\u0173 i\u0161 tuometini\u0173 Pranc\u016bzijos kolonij\u0173 Vakar\u0173 Afrikoje. Pats augau Senegale ir pamenu, kad \u0161iems \u017emon\u0117ms buvo mokama ir papildoma pensija, ma\u017edaug 5 eurai per m\u0117nes\u012f\u201c, \u2013 pasakoja D. Diopas.
Paklaustas, ar tarp lai\u0161k\u0173 anuomet pavyko rasti ir afrikie\u010di\u0173 karo metais ra\u0161yt\u0173 tekst\u0173, autorius sako, kad toki\u0173 \u2013 vos keletas.
\u201eYra keli lai\u0161kai, bet visi nuasmeninti, administracinio, biurokratinio pob\u016bd\u017eio. Siekiant palaikyti kari\u0173 moral\u0119 lai\u0161kai, \u017einoma, buvo cenz\u016bruojami. Be to, negalime atmesti ir savicenz\u016bros galimyb\u0117s. Visa tai matant, b\u016btent tro\u0161kimas tur\u0117ti asmeni\u0161k\u0105 \u0161i\u0173 Afrikos \u0161auli\u0173 i\u0161 Europos karo tran\u0161\u0117j\u0173 liudijim\u0105 ir past\u016bm\u0117jo mane sukurti roman\u0105. Tiesiog siekiau pabandyti \u012fgarsinti patirtis \u017emoni\u0173, ilgai buvusi\u0173 nutildyt\u0173\u201c, \u2013 sako romano autorius.<\/p>\n\n\n\n
\u201eJuodieji laukiniai\u201c<\/h3>\n\n\n\n
D. Diopas sako nesiek\u0119s para\u0161yti istorinio pasakojimo grie\u017et\u0105ja prasme. Tod\u0117l romane neakcentuoja konkre\u010di\u0173 viet\u0173, dat\u0173, batalion\u0173 ar kit\u0173 m\u016b\u0161i\u0173 detali\u0173. Atsispiria nuo fakt\u0173. Pavyzd\u017eiui, tikrai \u017einoma, kad, atsid\u016br\u0119 tarp pranc\u016bz\u0173 ir vokie\u010di\u0173 propagandos girnapusi\u0173, Pirmojo pasaulinio karo kovose dalyvaujantys afrikie\u010diai i\u0161 esm\u0117s buvo vaizduojami kaip kraujo i\u0161tro\u0161k\u0119 laukiniai. O v\u0117liau, siekiant i\u0161laikyti europie\u010di\u0173 kaip prana\u0161esni\u0173 ir galingesni\u0173 laim\u0117toj\u0173 \u017evilgsn\u012f \u201ei\u0161 vir\u0161aus\u201c, afrikie\u010di\u0173 kovotojus imta vaizduoti ir kaip infantilius naivuolius.
\u201eNepersistengiau ie\u0161kodamas konkre\u010di\u0173 detali\u0173, nes nor\u0117jau atskleisti, kad \u0161is veik\u0117jas \u2013 kaip, beje, ir daugyb\u0117 kari\u0173 \u2013 i\u0161 ties\u0173 da\u017enai ir ne\u017eino, kur konkre\u010diai fronte yra. Labiausiai nor\u0117jau perteikti t\u0105 visi\u0161kai gryn\u0105 emocij\u0105. Tarkime, Pranc\u016bzijos kariuomen\u0117je vyravo gaji nuostata, kad senegalie\u010di\u0173 \u0161auliai geba ypatingai \u012fbauginti vokie\u010dius, sukelti jiems tarsi antgamti\u0161k\u0105, paraly\u017eiuojan\u010di\u0105 baim\u0119. Tod\u0117l jiems vieninteliams \u012fduotos ma\u010det\u0117s tapo kone j\u0173 uniformos dalimi. Dabar turb\u016bt suprantame, kad tai to paties karo \u017eaidimo ir propagandos dalis, m\u0117ginimas \u012fbauginti prie\u0161inink\u0105 parodant: \u0161tai, pasi\u017ei\u016br\u0117kite, m\u016bs\u0173 gretose yra \u201elaukinis\u201c juodasis karys\u201c, \u2013 pasakoja autorius.
Romano kalba ir stilius taip pat nusipeln\u0117 daugyb\u0117s liaupsi\u0173. Knyga para\u0161yta pranc\u016bz\u0173 kalba, s\u0105mon\u0117s srauto principu, ta\u010diau pats kalbos ir pasakojimo ritmas i\u0161duoda, kad pasakotojas i\u0161 ties\u0173 m\u0105sto volof\u0173 (nacionaline Senegalo) kalba. Taip autorius tarsi \u012fgarsina t\u0105 jaun\u0105 vyr\u0105, kaip ir daugyb\u0117 kit\u0173 afrikie\u010di\u0173 kari\u0173, daugyb\u0119 met\u0173 netur\u0117jus\u012f galimybi\u0173 b\u016bti i\u0161girst\u0105. Vidinio monologo sud\u0117tingumas atskleid\u017eia ir paradoks\u0105 \u2013 did\u017eiul\u012f skirtum\u0105 tarp ypa\u010d turtingo Alfo Ndiaje\u0307s pasaulio matymo ir pajutimo bei visi\u0161kai primityvios ir skurd\u017eios pranc\u016bz\u0173 kalbos, kurios karo metais specialiai buvo mokomi afrikie\u010diai, ver\u010diami ja kalb\u0117ti.<\/p>\n\n\n\n
Universalus karo siaubas ir beprasmyb\u0117<\/h3>\n\n\n\n
Autorius sako puikiai suprantantis, kad \u201eu\u017ekabino\u201c sen\u0105, bet labai universali\u0105 ir vis dar jautri\u0105 tem\u0105.
\u201eDaugyb\u0117 \u017emoni\u0173 tyl\u0117jo apie tai, k\u0105 patyr\u0117 konfliktuose ir karuose. Apie tai, k\u0105 mat\u0117, jaut\u0117 ir i\u0161gyveno. Atsitverdami tyla, saugojo save ir savo \u0161eimas nuo siaubo, band\u0117 u\u017emir\u0161ti. O a\u0161 nor\u0117jau t\u0105 tyl\u0105 pripildyti balso \u2013 i\u0161ori\u0161kai negirdimo, vidinio balso. K\u016brinys tikrai tur\u0117jo poveik\u012f: pats \u017einau daugyb\u0119 atvej\u0173, kai skaitytojai, atsigr\u0119\u017e\u0119 \u012f savo praeit\u012f, \u012f kreip\u0117si \u012f archyvus ir kitas \u012fstaigas, ne\u0161\u0117 Pirmojo pasaulinio karo laik\u0173 lai\u0161kus ar proseneli\u0173 nuotraukas i\u0161 fronto, kuriose \u0161ie u\u017efiksuoti kartu su afrikie\u010diais. Ir vienas i\u0161 da\u017eniausiai girdim\u0173 nuog\u0105stavim\u0173 skamb\u0117jo taip: \u201eKod\u0117l nepasidom\u0117jau anks\u010diau, kod\u0117l nepaklausiau j\u0173 pa\u010di\u0173 apie \u0161i\u0105 istorijos atkarp\u0105\u201c, \u2013 pasakoja D. Diopas.
Romanas atskleid\u017eia ir pl\u0117toja visi\u0161kai universali\u0105 karo siaubo, \u017eiaurumo ir nei\u0161vengiamos traumos tem\u0105.
\u201eTai pats karas yra beprasmis ir \u017eiaurus, ne kariai. Taip, pagrindin\u012f veik\u0117j\u0105 galima vadinti monstru, bet tuo pat metu jis toks \u017emogi\u0161kas, kad galime su juo tapatintis, d\u0117l jo jaudintis. Turb\u016bt \u0161is baisus dvilypumas, vidinis prie\u0161taringumas neatsiejamas nuo pa\u010dios \u017emogaus egzistencijos\u201c, \u2013 svarsto autorius.<\/p>\n","protected":false},"excerpt":{"rendered":"
Kokia turi b\u016bti knyga apie Pirm\u0105j\u012f pasaulin\u012f kar\u0105, kad pra\u0117jus daugiau nei 100 met\u0173 po jo pabaigos ir turint omenyje, kiek knyg\u0173 ir pasakojim\u0173 apie \u0161\u012f istorijos epizod\u0105 visame pasaulyje jau sukurta, 2021 m. ji priblok\u0161t\u0173 ir paker\u0117t\u0173 \u201eInternational Man Booker Prize\u201c komisij\u0105? Atsakym\u0105 \u017eino Pranc\u016bzijoje gim\u0119s ir Senegale aug\u0119s ra\u0161ytojas, akademikas Davidas Diopas. Jo…<\/p>\n","protected":false},"author":34,"featured_media":12126,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,9],"tags":[371,1936,1935,105],"class_list":["post-12123","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-naujienos","category-romanai","tag-baltos-lankos","tag-david-diop","tag-nakti-visu-kraujas-juodas","tag-uzsienio-autoriai"],"yoast_head":"\n
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